蓦然竖起的食指，触碰间的心意相通。在这个忽明忽暗的黑白世界里，女人时不时地按下电灯开关，像是跟自己的影子做着游戏，又像是在刻意地操控着光明与黑暗。她在地板上缓慢地蠕动着，发出嚓嚓的摩擦声。食指相交后的异想世界，她的身影诞生出了一个男人的身体。一样的动作，一样的表情，却分不清楚到底哪个才是真实。当他们再次食指互碰的时候，他们的身份交换了。穿越而过的还有耳边水面的嘀嗒声。 　　本部极简主义风格的黑白动画短片，讲述了一场象征意味强烈的光影游戏。这场游戏间的较量，是光明和黑暗的相互对比，是男人与女人之间的故事，也是一个关于平行宇宙的思考。导演迈克尔·弗雷执导试图用这部简约而短小的作品，引发我们对于平行空间的思考：如果我们有另外一个平行宇宙，那么这两个宇宙中的人如何交集？我们是否应该保持着宇宙中的这份平衡？

蓦然竖起的食指，触碰间的心意相通。在这个忽明忽暗的黑白世界里，女人时不时地按下电灯开关，像是跟自己的影子做着游戏，又像是在刻意地操控着光明与黑暗。她在地板上缓慢地蠕动着，发出嚓嚓的摩擦声。食指相交后的异想世界，她的身影诞生出了一个男人的身体。一样的动作，一样的表情，却分不清楚到底哪个才是真实。当他们再次食指互碰的时候，他们的身份交换了。穿越而过的还有耳边水面的嘀嗒声。 　　本部极简主义风格的黑白动画短片，讲述了一场象征意味强烈的光影游戏。这场游戏间的较量，是光明和黑暗的相互对比，是男人与女人之间的故事，也是一个关于平行宇宙的思考。导演迈克尔·弗雷执导试图用这部简约而短小的作品，引发我们对于平行空间的思考：如果我们有另外一个平行宇宙，那么这两个宇宙中的人如何交集？我们是否应该保持着宇宙中的这份平衡？

An in depth look at the persecution and subsequent death of the 5 million non Jewish victims of the World War II Holocaust and the lives of those who survived. Through stories of survivors and historical footage, these lesser known voices are brought to life. From the Roma and Sinti people who were also targeted for complete annihilation to the thousands of Catholic Priests who were killed for speaking out, Forget Us Not strives to educate and give tribute to those who were killed for their religion, ethnicity, political views, sexual orientation and physical handicaps.

Two Hollywood filmmakers attempt to find Morgan Freeman in Mississippi and convince him to star in their next movie. When life gets in their way they soon discover what matters to them most.

In the early 60s, Bernward Vesper and fellow university student Gudrun Ensslin begin a passionate love in the stifling atmosphere of provincial West Germany. Dedicated to the power of the written word, Bernward and Gudrun found a publishing house whose first publication is, paradoxically to many, a controversial past work of Bernward's ostracized father, an infamous Nazi author. Bernward defends his father's writing ability, even if he is haunted by his father's suspicious past.

Raoul Peck directed this French-German-Haitian drama set in Manhattan where medical examiner Chase Dellal (Geno Lechner) isn't happy with the diminishing aspects of her life: Not only does she face political pressures to soft-pedal her testimony, her marriage to a judge (Bob Meyer) is collapsing. Suddenly, new options appear after deposed Haitian politician Dimitri (Jean-Michel Martial) re-enters her life. Playwright Israel Horowitz has a role in this film as morgue cop Timothy.

This is a story about Bimo and Arimbi. They share their future, about uncertainty, and how their life after swearing to each other forever.

Pelourinho: They Don’t Really Care About Us (2019) is freely inspired by a letter in 1927 from Pan Africanist W.E.B. Du Bois to the American embassy in Brazil, this colorful film explores how it was impossible for African Americans to travel to Brazil through a series of vignettes and reminds us of the inequality still faced by that country’s black inhabitants. 　　"The starting point for this colourful film is a letter from human rights activist W.E.B. Du Bois to the American embassy in Brazil. The fact that in 1927 it was impossible for African Americans to travel to Brazil reminds us of the inequality still faced by that country’s black inhabitants." -- IFFR 　　Produced by Obibini Pictures LLC 　　Directed by Akosua Adoma Owusu 　　Cinematography by Akosua Adoma Owusu 　　Voice Over: Lais Machado & Augusto Soledade 　　Edited by Dylan Bowman 　　Sound Design & Mix: Kari Rae Seekins

Pelourinho: They Don’t Really Care About Us (2019) is freely inspired by a letter in 1927 from Pan Africanist W.E.B. Du Bois to the American embassy in Brazil, this colorful film explores how it was impossible for African Americans to travel to Brazil through a series of vignettes and reminds us of the inequality still faced by that country’s black inhabitants. 　　"The starting point for this colourful film is a letter from human rights activist W.E.B. Du Bois to the American embassy in Brazil. The fact that in 1927 it was impossible for African Americans to travel to Brazil reminds us of the inequality still faced by that country’s black inhabitants." -- IFFR 　　Produced by Obibini Pictures LLC 　　Directed by Akosua Adoma Owusu 　　Cinematography by Akosua Adoma Owusu 　　Voice Over: Lais Machado & Augusto Soledade 　　Edited by Dylan Bowman 　　Sound Design & Mix: Kari Rae Seekins

Four stories about human relationships and the difficult choices that people's lives depend on.